Project Plans and Sketches:
6/17/25
Paper & Steel #1:
I intend to utilize paper casting techniques, dry-brushing, and possibly some fiber inclusions for the paper portion of this piece. I've also been considering changing the soft material to fabric. I'll do some experimentation with both to decide which one I like better or fits the concept better. For the steel, I have some small pieces already plasma cut that just need to be formed utilizing blacksmithing techniques. Since I have a bit more time under my belt, I might expand the scale on this piece. The only things I need to consider are finishes for the metal, like what kind of patinas I should pursue to achieve a pink/skin tone kind of color, and how these pieces are going to fit together and ultimately stand. I want this piece to be in the round and on a pedestal.
Artist Inspiration:
- Eileen O'Shea website – Instagram:
- A jewelry designer based in Washington who utilizes natural forms like lichen, moss, and fungi to influence the forms and color within her work. I really enjoyed and found inspiration by looking through her Instagram because it showed more experimentation and progress updates on her sculptural pieces.
- Cal Lane website – Instagram
- For almost every sculptural project I set out to do, Cal Lane is a driving influence behind it. I really enjoy the way she combines fancy and light objects with steel and plasma cutting. I find that her messages and materials sort of align with me own.
Paper & Steel #2:
This project is absolutely going to require the entire summer to complete. I intend to cast a variety of teeth in paper to create a plant-like hanging sculpture. I'm still trying to figure out a color palette, if one is needed. I think this piece isn't like anything else in my portfolio, so I am trying to figure out where this might be headed. I want to weld and fabricate a steel armature with forged ends that look like tendrils coming out of the paper elements. The paper-casting is going to require the most time, and I might be incorporating some of the cast metal teeth I've made throughout the last year.
Artist Inspo:
- Naja Utzon Popov: website – Instagram
- Popov mostly works in ceramics and textiles in response to the natural world around her. She mostly creates site-specific sculptures and rugs. I connect with her hanging forms that replicate plant life and show gravity. I want to see how I can take that inspiration and combine it with my more quiet yet morbid and grotesque style of work.
- Ann Goddard: website - Instagram
- Ann Goddard's use of material and experimentation is inspiring to me. I really enjoy the works that have little tendrils of material extending from the main body of the object and want to take some inspiration from that. I also really enjoy the finish or treatment in her paper pieces.
Component Piece:
Still working on ideas!
Fabric & Found Object Piece:
After many conversations about how to approach this piece, I think I want to replicate this object in interfacing and fabric. I want to recreate this object at the same scale or a little larger, but with fabric and then bead over specific points of the piece. I need to figure out how to make this object stand or hang on a wall. It might also be fun to cast fabric off of specific portions of the speculum with more shear fabrics or even knit thread.
Artist Inspo:
- Kathleen Ryan: website - instagram
- Ryan is interested in utilizing mundane everyday objects with the meticulous craft of beading to explore ideas surrounding seduction and repulsion while also touching upon the idea of life and death. Ryan's beadwork is captivating and truly an inspiration to me, and I want to take inspiration from her use of color and texture to replicate naturalistic forms of decay or grotesque images.
- Lorenzo Nanni: website - instagram
- Nanni utilized fabrics, fibers, and beadwork to depict organisms and extensions of the human body while also making some of his works feel and look alive. I really enjoy Nanni's use of color and find similarities within both of our chosen color palettes. He is mostly within my inspiration for his forms, beadwork, and textures he achieves.
Overall Goals
Projects:
June: Place finishing touches on all works created during the spring and take photos
- Finish beading found object piece and add more fabric dripping onto floor. Get rid of the fabric rings
- Clean up paper on knit still piece and epoxy in hanging hardware of some kind. Dry brush and finish detailing said paper.
- Continue to photograph the wood and fiber piece, and possibly add more components to it.
- Consistently make smaller things for the farmer's market!
Gather materials and begin planning out 3 major projects for the rest of the summer with deadlines and updates.
July:
- Begin and complete paper and steel piece with fiber inclusions
- Begin and complete a component piece
- Begin cast paper teeth piece
August:
- Begin and complete the found object and fabric piece
- Finish the cast paper teeth piece.
Graduate School Research:
Schools I've previously researched:
- Arizona State University
- 3-year program, sculpture and multidisciplinary, has some funding, 18,600 per semester
- University of Georgia, Athens
- 3-year program, sculpture/multidisciplinary, fully funded
- University of Missouri
- 3-year program, sculpture, fully funded options, 12,500 per semester
- University of Kansas
- 3-year program, sculpture, liked the professor's work, funding?, 37,500 per semester
- Oregon State University
- 3-year program, sculpture, funding?, 9,000 per semester
- Kent State University
- 3-year program, sculpture/multidisciplinary, TA stipend, 40k per year
- James Madison University
- 3-year program, sculpture, tiny cohort, funding?, 77k per year
Schools I still want to look into:
Graduate School Requirements:
(Highlight once complete for all schools applying to)
- 20 Images of work
- List of Works – Title, medium, size, date
- 3 Letters of Recommendation
- Statement of Intent and/or Artist Statement
- Resume/CV
- Transcripts
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